The official FRIARS Aylesbury compendium
Vale Hall, Civic Centre, Market Square,
Aylesbury
Captain Beefheart and the Magic Band
Saturday November 22th 1975
Captain Beefheart (Don van Vliet) Bruce
Fowler Elliot Ingber John French Denny Whalley
Secret Oyster
Moonlight On
Vermont;Abba Zaba;Orange Claw Hammer;Beatle Bones 'n' Smokin Stones;
Poofters Froth Wyoming;Dali's Car;When It Blows Its Stacks;My Human Gets
Me Blues; Alice in Blunderland; The Natchez Burning; Improv/Drumbo's tap
dance; Electricity;Golden Birdies
None yet
As below
Steve Froy (who kindly allowed us to reproduce this from his website http://home.clara.net/froy/beefindex.htm)
"First, we had to endure the support band 'Secret Oyster' - anyone remember them? I wish I didn't. They were the remnants of a once fairly fine Danish band 'Burnin Red Ivanhoe' but they were now a pompous prog-rock band of the most tedious kind with a keyboard player who'd obviously got some new equipment with lots of new noises he could play with and pretend to be Keith Emerson (and who needs another one of them) .....but to cut to the chase...
The last time I'd seen Don was in 1973 with that great storming Magic Band. Since then I had become somewhat disillusioned because he seemed to have lost the plot completely - by that I mean releasing the distressing albums 'Unconditionally Guaranteed' and 'Bluejeans & Moonbeams'. However there had been some good news in that he was touring with the Mothers (had I heard 'Bongo Fury' by this time ... I'm not sure?) and he had played at Knebworth (which I have to admit being at but must have been too far gone to remember any of it apart from the opening drum beats of 'Moonlight on Vermont' and a few other snatches of songs!!). So going to see him again now was worrying me - would he be any good? ... would my faith be restored? ... who would be in the Magic Band?
When the band finally took the stage they seemed tired - which is not
surprising after driving down from Scotland. It soon became apparent there
was an anti-Captain element in the audience. My recollections of the first
part of the gig - lazy, lack-lustre and out-of-tune - playing, are
coloured by the bad atmosphere created by this small bunch of tossers. I
know it was not unusual for Don to be heckled - I'm just ashamed I had to
witness it. If this happened regularly I'm surprised Don didn't give up
touring a lot earlier. He got so exasperated with interruptions during
'Orange Claw Hammer' he ended up shouting 'Fuck you, man'
and during 'Beatle bones..' he stared one guy down, leant
forward with microphone in one hand, pointed straight at him and beckoned
him to come closer - not surprisingly Don's offer was declined. Eventually
the hecklers gave up/crawled back under their stones/turned back into
pumpkins and for me a cloud lifted. It seemed as if the band sensed it too
because the performance took on a greater urgency and conviction.
(Having since heard a tape of the gig I was pleasantly surprised to hear just how good the music was - the first part was definitely nowhere as bad as I'd remembered.)
I remember thinking that the
set list seemed odd. But maybe that was due to lack of rehearsal time -
presumably 'Poofters Froth Wyoming' was only included
because most of the band knew it from the Bongo Fury tour with Zappa and
the blues jam section was a filler and geared to Winged Eel Fingerling and
Denny Whalley's abilities. This Magic Band was not the best by any means,
although it had the great advantage of John French in his Drumbo seat. But
they made a good showing of 'Beatle bones..', 'My
human gets me..' and 'Electricity'.
Bruce Fowler's 'air-bass' didn't really cut it for me on the break in
'Abba Zabba' but for the rest of the set it provided a
unusual throbbing undertow.
One of the more bizarre
highlights of this tour at each gig had to be Drumbo's Tap dance...
every drummer at this time was expected to do a solo - but they usually
had a vast battery of drums, snares, cymbals, gongs etc etc. So it was
rather incongruous when Drumbo started going to town on his very small
kit. It then became hilarious as, banging his feet on the stage to create
more sounds, he eventually stood up and tap danced his way around the
stage accompanied by some cheesy trombone from Bruce Fowler. It had to be
seen to be appreciated - the perfect antidote to the pomposity of rock
drummers and drum solos. Overall this gig was not a great one, although it
had its moments. But I came away at the end reassured that Don was back on
the right track again after the Tragic Band episode."
None sourced yet
;
Unclear. He has apparently turned his hand to painting and is said to be not in the best of health
There appears to be no official website
Sights and sounds - Captain Beefheart - Upon The My Oh My (1974)
© copyright 2007-2009 mike o'connor/www.aylesburyfriars.co.uk
