search the friars website

Friars Interviews

Marillion local legends

friars appearances 29/05/81  01/08/81  31/10/81  20/02/82  19/06/82  18/03/83  29/12/83  22/12/84


Marillion are, of course, the band that after John Otway, not only put Aylesbury on the musical map, but have stayed in the mainstream for over 25 years.  In addition to talking to Mark and Pete, we have also got the thoughts of Chairman Fish, who was the very distinctive front man of Marillion until 1988 and played right through the Friars years. Fish spoke to us from his Scottish studio.

Fish - photo copyright the BBC

Friars Aylesbury Website: Thanks for talking to the Friars Aylesbury website. Marillion were the band that put Aylesbury back on the musical map......

Perhaps, yes.

Marillion were always identified as an Aylesbury band. Certainly with Friars. People were following your progress on the Friars news-sheets. You were talked about a lot whether it be at the Britannia pub in Aylesbury or the tour of Scotland that you and Steve Rothery put together...

In the early days, when I answered the advert and went down to Aylesbury, I didn't even know where Aylesbury was! I knew it was close to Luton and that was it. So we turned up at Aston Clinton and met the other guys. Then we did some... shall we call them "rehearsals" - they had very few lyrics so I was coming up with stuff and singing. When we started, we found out we were one of the hardest working bands in the Aylesbury/Bucks scene.

At that time I had seen the distinctive Friars adverts in the press but hadn't associated it with where I was going. When I got there (Aylesbury), I discovered that Friars was a hive of activity and I discovered David Stopps. We were a young band and I was virtually managing the band as I didn't have a job. Neither did Steve. He had come down from Yorkshire and me from Scotland and we were taking it very seriously. It was a do or die thing. So we were working our arses off getting gigs and getting a gig at Friars was our first target. To do our 'home' town and to try and get a support slot at Friars. So we were in contact with Dave very early on.

Dave is a very amenable person, a flamboyant character. What he did for Aylesbury was incredibly important for music and his love of musicians.....

That is unquestioned!

So we got in touch with Dave who put us in touch with Les Payne (local Friars legend) and we did our first demo tape. Then we got our first gig at Friars in the small hall....

That was the Aston Hall at the John Cooper Clarke gig in 1981.

Ironically John Cooper Clarke and Pauline Murray and The Invisible Girls (also at that gig) were managed by John Arnison who was to become Marillion's manager in 1983. That night was also when we had monks outfits and Hammer Horror stuff. We went down a storm!

Was that around the time when you did 'He Knows You Know' with a rubber skull and syringe? 

Probably, there was some weird shit going on! I remember the black crosses. I lived opposite Aylesbury Police station and we had all these weird props and the place was full of them. I'm surprised we never got turned over!

Back in 1981 after that gig, you played again supporting Spirit and later John Martyn....

The first in the small hall and then John Martyn was a real trial as it was in the big hall. I remember meeting John and we would later become friends. I do remember we were waiting on our soundcheck and all the (John Martyn) band and crew were sitting there at tables in the hall eating their dinner and I thought 'how dare these bastards eat food while we are standing on strange waiting on our check!' I discovered later (when Marillion got bigger) on the road that regular scheduled meal times are more important than unscheduled local support bands.

I remember (at that time) supporting Lindisfarne at what's that big round venue....St Albans!

This would be St Albans City Hall I think.

It was a dreadful venue to play, the sound came back to you about three seconds after you played it! Awful place! Whoever thought that a round building could deliver decent acoustics?

But the Friars supports were very special.

I was at that John Martyn gig and was the first time I saw Marillion having heard lots about them. You got an encore being third on the bill and made the other support band (Bumble and the Beez) and John Martyn work hard for their encores.

We were an upcoming local support band and we were hungry. Being a support band in a local venue was a lot different to being a support band on a tour and Friars might have just been gig No 35 or something. They didn't expect us to attack (the gig) like that.

If you listen to Marillion's Early Stages CD on EMI recently, there's a lot of stuff on there that's quite punky, a lot of attack and a lot of energy although there was progressive rock that could be compared to Genesis

In terms of influences, the music was attacking, but with the image as well, that was a bit of Peter Gabriel wasn't it?

No, not particularly...Alex Harvey used make up, Alice Cooper used make up, Kiss too. A lot of people were doing this. We were coming out of this middle class suburb (Aylesbury) and the one influence that united all the band was Genesis' influence. So ideas tended to flow that way and some ideas worked. You wore your influences on your sleeve. Just as the Rolling Stones played the blues. You get the point.

Yes! You first headlined Friars in 1982 and by now you were the big local band and that was a great gig as I recall.

That was a big thing for us, it was a big marker flag for us.

It was around that time that Market Square Heroes was not far from coming out - I'm sure this remains the only record dedicated to Friars Aylesbury on the record sleeve...

We'd asked Dave Stopps to be our manager in early 1982 and he came on board. And this is something I've thought about a lot. He did wonders for Howard Jones who supported Marillion back in the Marquee days. Dave was our manager for only a short while. By early 1982 we were hungry...we'd had the BBC Radio One session with Tommy Vance. We were hungry and wanted more and wanted to move forward faster than we were. We took on Dave and we had a lot of ideas, but we weren't moving forward. We were very impetuous, me in particular. I just felt that we had made a lot of inroads and now we weren't moving fast enough. But that was Dave's style. I've often wondered when in Marillion's latter period (with me) when we had bad management how we would have done if we had Dave. As a guy, I still see Dave on an irregular basis.

What did you see at Friars as a punter?

I saw King Crimson.... but you'd go every week - there'd be Teardrop Explodes one week, then Echo and the Bunnymen, The Cure....

We were at the same gigs!

The thing about Friars was that people were interested in live music and it wasn't tribalism. The tribalism was in the club itself. You were a member of Friars and it didn't matter who played, a huge core of that audience would be there each week regardless of who played.

You are absolutely right. You may be aware that Friars has just had its 40th anniversary party and people at those original gigs in 1969 came out again and it was one big reunion.

It must have been incredible, I wish I'd been there. One of things I loved about Friars was that there were certain heads you knew and were there every gig. It's the kind of thing that happened at certain venues in Holland or Germany where people went to listen to music regardless of genre. They just knew if that band was playing that venue, there would be a certain quality. That was the magic of Friars. Dave Stopps could identify the 'buzz' bands and bands wanted to play there because of the kudos of playing Friars. Marillion wanted to strike up a flag at Friars in Aylesbury and say 'this is where we come from, this is the castle.'

Exactly. With the Script For A Jester's Tear in 1983, it was big news when the Friars news-sheets announced the album and also the fact that the local boys were going to be doing a major tour featuring Hammersmith Odeon and Aylesbury. It was really big news. You came back in December 1983 and December 1984 when you were huge.

It was our home town, it was a spiritual thing. Pete was from Aylesbury and although Steve and I had moved down, we were living in the area, I was still drinking in The White Swan! It was our spiritual home and every time we toured we wanted to come back and play. In the early days it was easy but it got more difficult. There was a spiritual shift during the 1980s

Yes, Marillion in fact played what was the last Friars gig for 25 years when you played in December 1984.

I didn't know that. We were on the road for nine months a year at that point, so we missed out on that (information that Friars had closed) so we were never about and then in 1988 someone pulled the pin out of the grenade.

But you came back to Aylesbury Civic a few times as a solo artist. I saw some of those gigs!

It missed Dave. The Friars badges and the flowers backstage and whatever you wanted! There wasn't the family atmosphere.

For the 40th party, a lot of traditional trimmings were kept such as the flowers. Many artistes have commented about the family atmosphere where everyone knew each other.

As I've got older, I realised that when you are on a long tour on a bus, all you want to do is wake up in the morning and have a hot shower, all you want to do is to arrive at a venue that welcomes you with a smile, you want to arrive a venue that hasn't just bought something from the local supermarket, pulled back the plastic and put it on a plate.....that's where Friars delivered. You felt welcomed, you felt at home. It was one of those important things for any working professional be treated like a human being and not a piece of meat. Dave Stopps and Friars delivered. If you look at Friars as a venue, it was your average British Town Hall piece of shit. Whitewashed, concrete, the same standardised fire doors and concrete steps....BUT what happened on the night of a Friars show, Dave, the team, the people, that switched it on. It was special and magical.

I was at that last gig in 1984 and a couple of years ago when I first started the idea of this website, the point you just made about it being magical was my reason for doing it. My wife attended her first ever Friars gig at the 40th anniversary party and she realised that it was not just any old gig, there was something special.

Yes, but you won't create the old's a different world to the naivety in those days. I came to Aylesbury in 1981 when there were riots in the Market Square....which inspired the single Market Square Heroes. There was such a vibe and energy....I don't think you could recreate it. It can't be duplicated.

Maybe not, but you can have a good stab at it!

I remember the Hobble on The Cobbles - the Market Square is an amazing place. I play many similar gigs to that in Germany and Holland and they don't seem to cotton on to that (type of gig) in Britain. The Market Square used to have a few events and it would be great to see some of that vibe back.

Although this is ostensibly a Friars related conversation, you mentioned Hobble On The Cobbles. You did play that in 2007 and is now an annual event. In terms of what happened that day (Fish reunited with Marillion to perform Market Square the Market Square). Were you surprised at just how many column inches that generated?



I didn't think it would cause the furore that it did. To me, it was unplanned, it wasn't in the press, it wasn't on the radio, it was off the fucking radar. I wanted to keep it like that. To me, it was just five guys having a bit of fun. A lot of people got the wrong idea and thought it was a reunion. I don't want to say any more about that. Let's move on...!

Fair enough, I mentioned it only as we were talking about the Market Square and the Hobbles. No offence intended.

I'd like to go back there some time. I have so much affection for the town, so much of my history is locked up there.

Fish, thank you for talking to us!

Fish's official website

This interview and its content are 2009 Mike O'Connor/ and may not be used in whole or in part without permission.


privacy policy  legal and t&c  contact 

copyright 2007-2021 david stopps/friars aylesbury ltd

All rights reserved and no part of this website may be reproduced without written permission - please see terms and conditions for details. All photos copyright mike o'connor except where specifically stated and used with permission.